Broadcasts
CBC (Canada 1986), Tele Quebec (Canada 1986), ZDF (Germany 1986), PBS (United States 1987), NHK (Japan, 1987), ABC (Australia 1987), MTV3 (Finland 1987); and numerous other stations throughout the world.
Theatrical Distribution
USA (1986)
Le documentaire se fête / A Salute To The Documentary (1989), Studio D retrospectives in London and France, Trinity College Inaugural Year screening Legacies of the Holocaust: Against Silence (1988), Stratford Festival Forum (2013), Berlin Arsenal (2015) and innumerable other screenings worldwide.
One of the most moving and powerful documentaries I have ever seen.
— Margaret Laurence, author
Dark Lullabies is the kind of personal memoir that hits you in the gut. In the middle of a sea of mindless programming, it strikes out, grips you with its true story and won’t let go.
— Jim Bauden, Toronto Star
Dark Lullabies is a torturing inquiry whose investigation creates an unforgettable monument.
— Film Kultura, Hungary
…by far the most affecting documentary.
— Richard F. Shepard, New York Times
Angelico’s interviews have drawn out a fascinating assortment of opinions and responses to the most horrendous event of the century, and the humanity within its frames suggests there is still hope for a world free of prejudice and hatred.
— Michael D. Reid, Times-Colonist
The most emotionally charged audience response [at the 36th Berlin Film Festival] was reserved, not surprisingly, for Dark Lullabies.
— Gerald Peary, The Globe and Mail
Letter to Leonard Cohen
by Irene Angelico
Dark Lullaby: Irene Angelico’s belated pilgrimage to Vilnius
Delfi.en
Dark Lullabies
Film Kultura
Seal of Eternity
Bernice Eisenstein, The Canadian Forum
Cinematic reflections on jewish life
Richard F. Shepard, The New York Times
Dark Lullabies true-to-life account of personal horrors of the Holocaust
Ted Shaw, The Windsor Star
Holocaust documentary packs a punch
Jim Bawden, Toronto Star
Bewegung zum Tode hin
Movement towards death
Frankfurter Allemeine Zeitung, October 17, 1985
World Festival’s Dark Lullabies a memorable and haunting documentary
Myron Galloway, World Film Festival
Dark Lullabies – NFB
Berlin toasts Pool’s ‘pearl’
Gerald Peary, The Globe and Mail
Trying to come to terms with contradiction
Mark Pendergrast
There’s a world of difference between films and theatre
Marianne Ackerman
Surviving after the Holocaust… the legacy of “Dark Lullabies”
Terry Loncario
Facing the past
Dark Lullabies at the Bloor Cinema
NFB’s offerings run gamut from superb to so-so
Bruce Bailey
Powerful film “Dark Lullabies”
Dark Lullabies - Canadian Churchman
Philip Jefferson
Coming to terms with a painful legacy
Michael D. Reid, Times-Colonist
Holocaust film shows two sides of anger, shame
Lois Sweet
Winners at Manheim
National Film Board of Canada
Haunted by fears of the past
Judith Finlayson
Coming to grips with a nightmare
Jami Bernard
New film explores how Holocaust was possible
Janice Arnold, Canadian Jewish News
Dark Lullabies
Sarah Lloyd
Dark Lullabies: Documentary filmmaking with a conscience
Susan Grey
Rage, questions sparked film
John Dodd
Internationales forum des jungen films
Berlin 1986
Dark Lullabies – Booklist
The fourth World Television Film Festival in Tokyo
Presenting foreign drama and documentary masterpieces
Launch of book and film on Holocaust by a father and daughter
Michael Rabiger, The Sentinel
Canadian documentary about the Holocaust experiences a renaissance
Mike Cohen, The Jewish Tribune
Dark Lullabies: berceuse pour l’Holocauste
Jean-Christophe Laurence, La Presse
Reise an die Gründe des Schweigens
Matthias Dell, taz.de
Dark Lullabies – critic.de
Sonja M. Schultz, critic.de
Darkness abides
Byron Toben
Dark Lullabies: Timeless film, timeless message
Bill Brownstein, The Gazette
Crossing over: How is Dark Lullabies like Romeo and Juliet?
Irene Angelico, The Canadian Jewish News
“Dark Lullabies” is a must-see
David Levy
Dearest Irene,
Watching Dark Lullabies is a life-changing experience.
The emotional and intellectual rollercoaster you’ve put me through is immense!
The monument you’ve raised for your parents and your family is… monumental!
Besides, it’s an absolutely wonderful film!
The filmmaking is really exquisite.
As I was watching I was impressed with the great story-telling/writing/questioning, the editing, the cinematography, the overall rhythm, pacing, only to find out that you also edited it!
Much to talk about when we meet again.
Yours,
Shimon Dotan
February 25, 1995
Dear Ms. Angelico,
Thank you for the great privilege of reading your father’s manuscript, and seeing your moving documentary. I congratulate you on your accomplishment and your intention.
I’m sorry this letter comes so late but I’ve been out of touch with my correspondence for some time now. Please forgive me.
Sincerely,
Leonard Cohen
January 22, 1986
Dear Irene:
What can I say that hasn’t already been said to you. Your film is a true masterpiece. It approaches our most devastating period in history with such dignity. I was very moved the first time I saw Dark Lullabies and seeing it again only enhanced those emotions.
I was especially delighted to have the opportunity to get to know you a bit. You are as impressive as your film! Thank you for making the Canada-Israel Cultural Foundation’s evening at Harbourfront so very special. I know it will be remembered by all who attended.
Lily Barr wanted me to mention that she was most serious when she suggested that you call her regarding anything she can do to help promote your film. She has many contacts and could certainly be of assistance. Her home telephone number is 486-0565, and you can always reach her through the Canada-Israel Cultural Foundation Toronto office.
Once again thank you for your very special participation.
Warmest regards,
Hedy Frisch
Program Committee
August 23, 1990
Dear Ms. Angelico:
I am writing you many months after viewing your exceptional film, “Dark Lullabies”, on our local PBS station in Santa Barbara. I cannot remember being so moved nor informed about that darkest of times in our history as by your magnificent work. All these months later, I am still thinking about it. As the credits were shown, I hastily copied down your name so that I could write to you and thank you. I just uncovered it in a flurry of desk cleaning this morning!
Please know that I am one of, I am confident hundreds, who has benefitted from your research and devotion to this subject. One section that particularly affected me was your sensitive retelling of Mr. Pratt’s beautiful story. His memorial bird sanctuary seems to be a most powerful and living “Holocaust Museum” for children. It would be wonderful to learn more about this remarkable man. My family and I hope to revisit Israel in the very near future and a visit to Mr. Pratt’s sanctuary would add such dimension to our trip. Perhaps you might be able to help us locate it. Any information about the sanctuary, or Mr. Pratt, would be wonderful.
Again, Mazel Tov on such a significant film. I only hope that it will be aired again soon and often.
With warm regards and gratitude,
Lanie Keystone
I don’t use the word enlightened very often but this is how I feel after seeing this great work tonight. Seriously. Its always a real treat to hang with you two so thanks for being so cool to us.
Was a blast and to talk to Laurie and all the nice people there. Kathy had a great time too. Thanks for the good times. Crash our party anytime.
Cheers,
John Wilson
Friends, really still a remarkable film, so many years after and so relevant.
Jan Rofekamp
Hi Irene and Abbey!
We were very happy watching your film, Dark Lullabies. It was a very great experience for us. Especially now, when in Hungary the state policy denies the Holocaust. Half a million Hungarian Jews were sent with happiness by the Hungarian state officials and people to Auschwitz into death to rob them all of all their possessions, and now the Orban regime lies, that the Hungarians, seventy years ago, were all innocents, but the German Nazis were sinners.
Éva understood almost everything, and also I could understand very much, especially when the protagonists were speaking in close-up pictures in reportages.
I was happy to see you as a young woman, you was as a young girl almost so beautiful than now. Also Abbey’s cinematography work was excellent.
So we both thank you the very great treat.
xoxo and hugs
with love
Ákos and Éva Kertesz
Hi Irene
Thought I would let you know that Jay and I went to see Dark Lullabies on Thursday. It was wonderful. You found such amazing people to tell their stories. We were both very moved.
You’ll be glad to know, if you don’t already, there was quite a full house.
You guys are on a real roll these days with your theatrical screenings.
Best wishes,
Sally Bochner
Hi Irene,
I read your article in the CJN with great interest. I agree with your statement about building bridges. Our generation, can accomplish this, as you say so eloquently, “if wars are to end”. Like you, I have consciously worked to change my attitude towards a generation of Germans who had nothing to do with the war. Your film, “Dark Lullabies” was a factor in my process of letting go of the hatred I used to harbour towards all Germans. I describe this process in my book, “Recovering from Genocidal Trauma”. I felt encouraged when I read a statement by Elie Wiesel, who links hatred with destruction: “One can rage and protest but to hate serves no purpose other than the final destruction of humanity.”
At some point, the hatred must stop if there is to be healing on our planet. Your film is an important step in this direction.
Warm regards,
Myra Giberovitch
Letter from Terri
Letter from Elaine Meyerartz
Letter from Margaret Laurence
Letter from Edward M. Bronfman
Letter from Horma Acemi
Letter from Phyllis
Letter from Chantal
Letter from Tanya
Letter from Byron
Letter from Erica
Letter from Judit
Letter from Dan
Letter from Jamie
Letter from Ed
Letter from Barbara
Letter from Sharon
Letter 23
STUDENTS AND TEACHERS
Letter from Carolyn Lock
Letter from Paulette
Letter 28
Letter 30
Letter 31
Letter 32
Letter 33
Letter 27
Directed and edited by
Irene Lilienheim Angelico
Abbey Jack Neidik
Cinematography
Susan Trow
Location sound
Jean-Guy Normandin
Narration written by
Irene Lilienheim Angelico
Gloria Demers
Editing Consultant
Edward Le Lorrain
Location manager and researcher, Canada and Israel
Anne Dychtenberg
Rachel Rubenstein
Associate director and researcher, Germany
Harald Luders
Assistant camera
Simon Leblanc
Assistant editing and archival research
Chantal Bowen
Optical effects
Don McWilliams
Original music by
Lauri Conger
Michael Beinhorn
Music recording
Louis Hone
Music editing
Diane Le Floc’h
Sound editing
Abbey Jack Neidik
André Galbrand
Re-recording
Jean-Pierre Joutel
Adrian Croll
Producers
Irene Lilienheim Angelico
Abbey Jack Neidik
Edward Le Lorrain
Bonnie Sherr Klein
Executive producer
Kathleen Shannon