- Best Documentary Series by an Independent – Hot Docs (1999)
- Best Writing in a Documentary or Series – Gemini Awards (1999)
- Best Documentary Series by a Broadcaster or Independent nominee – Gemini Awards (1999)
- Gold Apple – National Education Media Network (1999)
- Silver Hugo – Chicago International Television Competition (1998)
- Encounter Internacionais de Cinema Documentale, Vila Franca de Xira (1998)
- Peabody Awards consideration – The Cola Conquest Part I: The Big Sell (1998)
- Peabody Awards consideration – The Cola Conquest Part II: Cola War and Peace (1998)
- Peabody Awards consideration – The Cola Conquest Part III: Cola-Colonization (1998)
- Highest ratings for a documentary broadcast in Canada (1998)
Broadcasts
Canal Plus France (Africa 1998), ABC (Australia 1995), Ronin Films (Australia 1999), Telepool (Austria 1996), VRT (Belgium 1996), Canal Plus France (Belgium 1998), TV Max/HBO (Czech Republic 1999), Denmark Radio (Denmark 1998), Channel 4 (England 1996), YLE 2 (Finland 1996), Canal Plus France (France 1998), Telepool (German speaking territories), Spektrum TV (Hungary 1999), Noga Communications LTD (Israel 1998), American Movie Classics (USA 1998), Canal 22 Television Metropolitain (Mexico 1997), Ronin Films (New Zealand 1999), NRK (Norway 1998), Canal Plus Poland (Poland 1997), Sogecable (Spain 1996), SVT (Sweden 1998), Telepool (DRS), (Switzerland 1996), Canal Plus France (Switzerland 1998), Chinese Network Television (Taiwan 1997), NPS (Netherlands), TV5 (Quebec, Canada, Worldwide), Docstar (France), Swiss TV (Switzerland-German 2002), Editora Abril (Brazil 2006), HSM Argentina SA (Argentina 2007), Banabana Films (Italy 2007), Filmtrade (Greece 2007), Planet Cable (France), Telepool (BR and ARTE), Channel 8 (formerly) (Israel), Channel 22 (Mexico), Canal Plus (France), Canal Plus (Spain), China Central Television (China), TV Polish Television, 13ieme Rue (France cable), HBO TV max (Hungary), NPS TV (Holland), Documania (Spain Cable 1), Documania (Spain cable re-run), Brazil (DVD deal)
Festivals and special screenings (Partial List)
Hot Docs (Toronto), Geminis, Chicago International Television Competition (Chicago), National Education Media Network (San Francisco), Festival Des Films Du Monde (Montréal), DocAviv (Tel Aviv), Mostra Rio de Janeiro Film Festival, International Documentary Film Festival Portugal, Taiwan International Documentary Festival, Shanghai Television Festival, Northwest Film Center, Harvard University.
Boldly going where no documentary has gone before.
— The Telegram
Absolutely captivating… the incisive and brilliant analysis of American society as seen through this grand investigation of a simple soft drink makes The Cola Conquest an exceptional documentary.
— Nathalie Collard, Voir
Controversial and effervescent, The Cola Conquest is a fascinating portrait of manifest destiny in a bottle — and worth watching, even for Pepsi drinkers.
— Joe Chidley, Maclean's
How Coke became such a powerhouse is explored with remarkable wit and unsettling insight in The Cola Conquest.
— Henry Mietkiewicz, Toronto Star
If you want to see a brilliant documentary, don't miss
The Cola Conquest.
— Antonia Zerbisias, The Toronto Star
An incisive analysis of how American popular culture, exemplified by Coke, is conquering the world.
— Mike Boone, The Gazette
Elegantly edited and often very funny... Angelico's project is as expansive as her subject.
— Doug Saunders, The Globe and Mail
The Cola Conquest is a witty, effervescent tour of soft drink lore.
— Maurie Alioff, Ciné festival
Poetic and researched
IMDb
Couple turn lens on pop culture
Bill Brownstein, The Gazette
Le vrai de vrai
Josée Blanchette, le Devoir
The Cola Conquest
Joe Chidley, Macleans
The drink that changed the world
Henry Mietkiewicz, Starweek
The Real Thing
Antonia Zerbisias, The Toronto Star
The big fizz
Matthew Hays, Noisemakers
How Coke taught the world to sing its tune
Doug Saunders, The Globe and Mail
The Cola Conquest, Irene Angelico’s Real Thing
Maurie Alioff
The Cola Conquest: A Trilogy
Boldly going where no documentary has gone before
Sunday Telegram
Coca-Cola-nization
Coke is it after all
John McKay, Canadian Press
Duelling mini-series
Tony Atherton, The Ottawa Citizen
Manipulation of the masses
The Federal Capital Press of Australia
Nothing like the reel thing
Susan Green, Vox
The Cola Conquest
The critical eye
La guerre des mondes
Nathalie Collard, Voir
La fabrication d’une image
Marc Cassivi, le Devoir
Lekker Monopolie (Tasty Monopoly)
H.J.A. Hofland, NRC Handelsblad
Playback – Gemini Winners
DLI Productions in association with Channel 4 Television,
The Canadian Broadcasting Corporation and Télé-Québec
directed by: Irene Angelico
produced by: Abbey Jack Neidik
co-producers: Amy Webb, Irene Angelico
associate producer: Kate Kung
executive producers: Abbey Jack Neidik, Jan Rofekamp
director of photography: Marc Gadoury
music: Normand Roger, Denis Chartrand
writers: Irene Angelico, Howard Goldberg, Paul Cowan
editors: Howard Goldberg, Irene Angelico, Torben Schioler
narrator: Rick Book
inspired by: "For God, Country and Coca-Cola" by Mark Pendergrast
distribution: Films Transit